​ENA YAMAGUCHI　

14.「One and the Same」 振付：富岡カイ　 出演：山口恵奈　福田智子 This piece is called ‘One and the Same’. It is an exploration of a singular human existence, and the feelings of how one feels as both an individual, and part of a collective. This is a piece about how you can feel more than one thing at the same time. To feel love, to feel loss. To feel happy, and to feel sad. These things can all exist at one given moment. It is being alive at a single point in time, and a whole lifetime too. When you need to get somewhere, to get away, and everything else in between. Choreographed by Kai Tomioka In collaboration with Ena Yamaguchi and Satoko Fukuda

A passionate response to the cost-of-living crisis, Hot House is a powerful celebration of collective generosity. Providing a space for people to come together and be uplifted by the Company's extraordinary ensemble of performers, this new show features a soundscape influenced by Chinese, Indian and European classical music, rearranged and performed by violinist Enyuan Khong and electronic music duo Larch. Premiering in Richard Chappell Dance's 10th anniversary year, Hot House promises to be a bold, transformational evening that celebrates the joy of movement and music in a setting where concert meets bonfire. Watch us perform Hot House this spring 24 March - Dance City, Newcastle 30 March - Bath Spa University Theatre 15 May - Exeter Northcott https://bit.ly/HotHouse23

Choreographed and performed by Ena Yamaguchi Seems unreal but real Feels unreal but real Surely there is always an answer but sometimes you just don't want to know.

Choreographed by Lloyd Petchey Dancers Lloyd Petchey and Ena Yamaguchi

Set in 1860s Bangkok, the musical tells the story of the unconventional and tempestuous relationship that develops between the King of Siam and Anna, a British schoolteacher whom the modernist King, in an imperialistic world, brings to Siam to teach his many wives and children. With one of the finest scores ever written including: Whistle a Happy Tune, Getting to Know You, and Shall We Dance, and featuring a company of over 50 world-class performers, The King and I is a testament to the lavish heritage of gloriously romantic musical theatre. BroadwayHD is the premier streaming service for theater fans everywhere! New shows added every month to stream when you want, where you want, and on any device you want. If you can't get to Broadway, get to BroadwayHD. SUBSCRIBE to stream the latest BroadwayHD content: https://www.broadwayhd.com/subscription Watch Full-Length Shows on Our Website and stream on the Free BroadwayHD App: iOS: https://apps.apple.com/us/app/broadwayhd-iphone-ipad/id1121102145 Android: https://play.google.com/store/apps/details?id=com.broadwayhd.app&hl= Start Your 7-Day Free Trial on our Website: www.broadwayhd.com Stay up to date with all things BroadwayHD on our social media channels: Like BroadwayHD on Facebook: https://www.facebook.com/broadwayhd/ Follow BroadwayHD on Instagram: https://www.instagram.com/broadwayhd/ Follow BroadwayHD on Twitter: https://twitter.com/BroadwayHD About BroadwayHD: Our goal is to make Broadway shows available to everyone, extending the reach of theater. High definition cameras capture the excitement of a Broadway performance in front of a live audience and deliver the best, angles, video quality, and audio quality to any device. With a library of over 300 shows, there is something for everyone

In 2017 New Wave Associate Alexander Whitley combined film and dance for 8 Minutes, a breath-taking journey to the sun. Known for his groundbreaking use of technology, Whitley’s new work delves into what it means to be human in the era of big data. Overflow features a dazzling kinetic light sculpture by Children of the Light with creative technologists Fenyce, costumes by fashion artist Ana Rajcevic and a new score by composer Rival Consoles, who has created music, experimenting with “ambient soundscapes, industrial textures, and high-octane club energy” (Pitchfork), for the Netflix series Black Mirror. Digital technology, now a seemingly indispensable part of modern life, is radically transforming how we experience and act in the world. Overflow considers how our desires, fantasies and vulnerabilities are powerfully influenced by social platforms and explores what lurks beneath our compulsions to check, share and like. “The mounting pile of data does nothing to answer the simple question ‘Who am I?’” Byung-Chul Han. “Behavioural data, mined from human experience, is now the primary commodity in a communication system designed to know everything about us while remaining unknowable to us. Recording our every click and ‘like’ in order to predict and modify our behaviour, our ability to act freely and our relationship to the future are fundamentally changed. In making Overflow, I’ve drawn inspiration from a wealth of fascinating writing exposing the social, political and psychological transformations we are experiencing in the era of big data and considered the impact this is having on personal autonomy and collective action.” Alexander Whitley. Alexander Whitley Dance Company — Overflow 17 & 18 April 2020 Read more: https://sadl.rs/2PjamvO Subscribe: http://www.youtube.com/subscription_center?add_user=sadlerswells Website: http://www.sadlerswells.com Twitter: http://twitter.com/sadlers_wells Facebook: http://www.facebook.com/SadlersWells Blog: http://blog.sadlerswells.com/ Instagram: http://instagram.com/sadlers_wells/

High is an invigorating and stirring dance production exposing an intimate health story. Through a rich combination of African, Contemporary and Jazz, set against a pulse driven, sound score, Keisha Grant and dancers delve into the world of post-addiction. In Keneish Dance’s newest work you are invited to experience a story based on a spiritual recovery from the trauma of addiction. When a young woman is brought back into her past of childhood memories, she is torn between two parts of herself. We watch as a state of denial and blame force her to a place where her memories try to take over. “High is about real people, real thoughts and real emotions that aren't normally discussed openly.” - Keisha Grant, Artistic Director